張國耀

以台 76 線施工現場回收鋼筋為唯一媒材。鋼筋原本是埋藏在混凝土內、支撐整座公路的「骨骼」，代表著公路局團隊與職人們沈默而堅定的付出。藝術家將剛硬的廢鋼筋透過手工作業，編織成巨大的「水滴」造型。這滴水，既是職人駐守現場十餘年、在烈日下揮灑的汗水；也是這二十幾年來，從最初的選址觀測到最終通車，所有專業心力匯聚而成的時間結晶。水滴圓潤的線條，柔化了橋下粗獷的混凝土空間。其編織留下的空隙，讓光影隨著農田節奏穿透，呼應了「移動與暫留」的主題。這不僅是一件雕塑，更是一個視覺載體，將那些看不見的、隱藏在結構裡的「職人脊梁」，轉化為大眾一眼就能感知的優美與堅韌。

藝術家溫柔提醒您：請勿觸摸作品

This artwork uses recycled rebar from the Route 76 construction site as its sole medium. Rebar, embedded in concrete as the hidden "skeleton" supporting the highway, represents the silent, steadfast dedication of the Highway Bureau team and craftsmen. Through manual labor, the artist transformed this rigid scrap metal into a woven, monumental "drop" shape.

This drop signifies both the sweat poured out by craftsmen under the scorching sun and the crystal of time forged from over twenty years of professional effort—from initial site selection to the final opening. Its gentle, rounded contours soften the rugged concrete space beneath the bridge, while gaps in the woven steel allow light and shadow to filter through alongside the surrounding farmland, echoing the theme of "movement and lingering." Far more than a sculpture, the piece transforms the invisible "backbone of the craftsmen" into an embodiment of beauty and resilience that the public can instantly perceive.

A warm reminder from the artist：Do not touch the sculpture.