蔡佳君、黃雅農藝術團隊與彰化東溪國小共創

以台76線橋下為空間載體，進一步探討鋼筋水泥建設與身體張力，透過身體工作坊引導察覺在公路下流動的身體，與物件自由舞動中採集身體的轉化

由廢棄鐵絲網與鋼線交織而成的螺旋裝置，將橋下無形的風化為具象的律動。風穿過橋底，宛如孩童在天地間恣意奔跑；懸掛其間的童趣標語隨風飄揚，讓原本生硬的通道重新有了脈動。

順著風向後延伸，視線落在如柵欄般冷峻的黑色圓筒上。伸出的手掌本代表著「禁止與停止」，但當孩子們彩色的掌印穿梭於黑色柱體之間，便揉入了一絲淘氣。孩子就像那陣捉迷藏般的穿堂風，看似沉靜地躲在背後、安分守己，下一秒卻又化身為古靈精怪的精靈，毫無預兆地衝撞出令人會心一笑的鬼臉。那張揉合了調皮與純真的面容，瞬間瓦解了空間的嚴肅與僵硬，吹開一道充滿童趣的縫隙。

藝術家溫柔的提醒：請與鋼筋作品保持距離；塑膠管節作品可近距離觀看

Using the elevated Route 76 as its spatial setting, the work explores the relationship between reinforced concrete infrastructure and the tension of the body. Through movement workshops, participants were invited to become aware of how their bodies move beneath the highway, while traces of bodily transformation were gathered through free movement with and around objects.

A spiral structure woven from discarded wire mesh and steel wire transforms the invisible wind beneath the bridge into a tangible rhythm. As the wind passes through space, it evokes children running freely between earth and sky. Playful phrases suspended within the structure flutter in the breeze, bringing a sense of movement and vitality to what was once a rigid passageway.

Following the direction of the wind, the eye is drawn toward a series of stark black cylinders resembling a fence. The outstretched hands originally represent “prohibition” and “stop,” yet the colourful handprints made by the children weave through the black forms, introducing a touch of mischief.

Like a playful breeze hiding and reappearing, children may seem quiet and well-behaved one moment, only to transform in the next into mischievous little spirits, unexpectedly bursting through with a funny face that brings a smile.

These faces, blending innocence with playfulness, instantly soften the seriousness and rigidity of the space, opening up a small passage filled with childhood wonder.

The wind has no visible form, yet it leaves traces. The body has no fixed posture, yet it leaves its mark through movement. The work invites us to pause beneath the bridge—to look, to move, and to sense the breath and traces of the wind that are always present, even when unseen.

A warm reminder from the artist：Please keep a distance from the steel bebar artwork.Visitors are welcome to view the plastic pipe artwork up close.